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Contemporary art and the cosmopolitan imagination / / Marsha Meskimmon
| Contemporary art and the cosmopolitan imagination / / Marsha Meskimmon |
| Autore | Meskimmon Marsha |
| Pubbl/distr/stampa | London : , : Routledge, , 2011 |
| Descrizione fisica | 1 online resource (148 p.) |
| Disciplina |
701/.03
709.05 |
| Soggetto topico |
Art and globalization - History - 20th century
Art and globalization - History - 21st century Art, Modern - 20th century Art, Modern - 21st century Cosmopolitanism |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-136-93706-4
1-282-78135-9 9786612781353 0-203-84683-4 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Book Cover; Title; Copyright; Contents; Illustrations; Plates; Permissions; Introduction: Contemporary art: at home in a global world; Chapter 1 Foundation - dynamic ground; Chapter 2 Threshold - infinite generosity; Chapter 3 Passage - transitive affects; Chapter 4 Landing - imaginative engagement; Afterword: On affrmative criticality; Notes; Selected bibliography; Index |
| Record Nr. | UNINA-9910459433603321 |
Meskimmon Marsha
|
||
| London : , : Routledge, , 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Contemporary art and the cosmopolitan imagination / / Marsha Meskimmon
| Contemporary art and the cosmopolitan imagination / / Marsha Meskimmon |
| Autore | Meskimmon Marsha |
| Pubbl/distr/stampa | London : , : Routledge, , 2011 |
| Descrizione fisica | 1 online resource (148 p.) |
| Disciplina |
701/.03
709.05 |
| Soggetto topico |
Art and globalization - History - 20th century
Art and globalization - History - 21st century Art, Modern - 20th century Art, Modern - 21st century Cosmopolitanism |
| ISBN |
1-136-93705-6
1-136-93706-4 1-282-78135-9 9786612781353 0-203-84683-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Book Cover; Title; Copyright; Contents; Illustrations; Plates; Permissions; Introduction: Contemporary art: at home in a global world; Chapter 1 Foundation - dynamic ground; Chapter 2 Threshold - infinite generosity; Chapter 3 Passage - transitive affects; Chapter 4 Landing - imaginative engagement; Afterword: On affrmative criticality; Notes; Selected bibliography; Index |
| Record Nr. | UNINA-9910785267503321 |
|
Meskimmon Marsha
|
||
| London : , : Routledge, , 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Contemporary art and the cosmopolitan imagination / / Marsha Meskimmon
| Contemporary art and the cosmopolitan imagination / / Marsha Meskimmon |
| Autore | Meskimmon Marsha |
| Pubbl/distr/stampa | London : , : Routledge, , 2011 |
| Descrizione fisica | 1 online resource (148 p.) |
| Disciplina |
701/.03
709.05 |
| Soggetto topico |
Art and globalization - History - 20th century
Art and globalization - History - 21st century Art, Modern - 20th century Art, Modern - 21st century Cosmopolitanism |
| ISBN |
1-136-93705-6
1-136-93706-4 1-282-78135-9 9786612781353 0-203-84683-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Book Cover; Title; Copyright; Contents; Illustrations; Plates; Permissions; Introduction: Contemporary art: at home in a global world; Chapter 1 Foundation - dynamic ground; Chapter 2 Threshold - infinite generosity; Chapter 3 Passage - transitive affects; Chapter 4 Landing - imaginative engagement; Afterword: On affrmative criticality; Notes; Selected bibliography; Index |
| Record Nr. | UNINA-9910799964503321 |
|
Meskimmon Marsha
|
||
| London : , : Routledge, , 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Contemporary art and the cosmopolitan imagination / / Marsha Meskimmon
| Contemporary art and the cosmopolitan imagination / / Marsha Meskimmon |
| Autore | Meskimmon Marsha |
| Pubbl/distr/stampa | London : , : Routledge, , 2011 |
| Descrizione fisica | 1 online resource (148 p.) |
| Disciplina |
701/.03
709.05 |
| Soggetto topico |
Art and globalization - History - 20th century
Art and globalization - History - 21st century Art, Modern - 20th century Art, Modern - 21st century Cosmopolitanism |
| ISBN |
1-136-93705-6
1-136-93706-4 1-282-78135-9 9786612781353 0-203-84683-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Book Cover; Title; Copyright; Contents; Illustrations; Plates; Permissions; Introduction: Contemporary art: at home in a global world; Chapter 1 Foundation - dynamic ground; Chapter 2 Threshold - infinite generosity; Chapter 3 Passage - transitive affects; Chapter 4 Landing - imaginative engagement; Afterword: On affrmative criticality; Notes; Selected bibliography; Index |
| Record Nr. | UNINA-9910827194203321 |
|
Meskimmon Marsha
|
||
| London : , : Routledge, , 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Drawing difference : connections between gender and drawing / / Marsha Meskimmon and Phil Sawdon
| Drawing difference : connections between gender and drawing / / Marsha Meskimmon and Phil Sawdon |
| Autore | Meskimmon Marsha |
| Edizione | [First edition.] |
| Pubbl/distr/stampa | London, England : , : I.B. Tauris & Co. Ltd, , 2016 |
| Descrizione fisica | 1 online resource (168 p.) |
| Disciplina | 741.01 |
| Collana | Drawing In |
| Soggetto topico |
Drawing - Philosophy
Drawing - Themes, motives Feminism and art Women in art |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-350-98613-5
0-85772-707-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Approaching: drawing near -- Chapter 1. Dialogue : From dia- 'across' + legein 'speak' -- Chapter 2. Matter : From materia - 'substance' mater: 'origin, source, mother' -- Chapter 3. Open -- Coinciding: drawing to a close without end. |
| Record Nr. | UNINA-9910511729203321 |
|
Meskimmon Marsha
|
||
| London, England : , : I.B. Tauris & Co. Ltd, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Drawing difference : connections between gender and drawing / / Marsha Meskimmon and Phil Sawdon
| Drawing difference : connections between gender and drawing / / Marsha Meskimmon and Phil Sawdon |
| Autore | Meskimmon Marsha |
| Edizione | [First edition.] |
| Pubbl/distr/stampa | London, England : , : I.B. Tauris & Co. Ltd, , 2016 |
| Descrizione fisica | ix, 155p. ; : ill |
| Disciplina | 741.01 |
| Collana | Drawing In |
| Soggetto topico |
Drawing - Philosophy
Drawing - Themes, motives Feminism and art Women in art |
| ISBN | 9781350986138 : (ebk : Bloomsbury) |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Approaching: drawing near -- Chapter 1. Dialogue : From dia- 'across' + legein 'speak' -- Chapter 2. Matter : From materia - 'substance' mater: 'origin, source, mother' -- Chapter 3. Open -- Coinciding: drawing to a close without end. |
| Record Nr. | UNINA-9910798362903321 |
|
Meskimmon Marsha
|
||
| London, England : , : I.B. Tauris & Co. Ltd, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Drawing difference : connections between gender and drawing / / Marsha Meskimmon and Phil Sawdon
| Drawing difference : connections between gender and drawing / / Marsha Meskimmon and Phil Sawdon |
| Autore | Meskimmon Marsha |
| Edizione | [First edition.] |
| Pubbl/distr/stampa | London, England : , : I.B. Tauris & Co. Ltd, , 2016 |
| Descrizione fisica | ix, 155p. ; : ill |
| Disciplina | 741.01 |
| Collana | Drawing In |
| Soggetto topico |
Drawing - Philosophy
Drawing - Themes, motives Feminism and art Women in art |
| ISBN | 9781350986138 : (ebk : Bloomsbury) |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Approaching: drawing near -- Chapter 1. Dialogue : From dia- 'across' + legein 'speak' -- Chapter 2. Matter : From materia - 'substance' mater: 'origin, source, mother' -- Chapter 3. Open -- Coinciding: drawing to a close without end. |
| Record Nr. | UNINA-9910828359303321 |
|
Meskimmon Marsha
|
||
| London, England : , : I.B. Tauris & Co. Ltd, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Women making art : history, subjectivity, aesthetics / / Marsha Meskimmon
| Women making art : history, subjectivity, aesthetics / / Marsha Meskimmon |
| Autore | Meskimmon Marsha |
| Pubbl/distr/stampa | London ; ; New York : , : Routledge, , 2003 |
| Descrizione fisica | 1 online resource (241 p.) |
| Disciplina | 704.042 |
| Soggetto topico |
Women artists
Feminism and art |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-203-38946-8
1-283-84649-7 1-135-13081-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Women Making Art History, Subjectivity, Aesthetics; Copyright; Contents; List of illustrations; Acknowledgements; Introduction: women making art; Exhilaration and danger; The work of art; New epistemes; Part I History; Introduction; 1 Exiled histories: Holocaust and Heimat; Home, covenant and the profundity of the everyday; High culture, assimilation and modernity; 2 Corporeal cartography: women artists of the anglophone African disapora; Dancers, mothers and modernity; Dancing: place and ethnography; 3 Re-inscribing histories: Viet Nam and representation
Mass media, documentary and reportageNation, difference and bodies politic; Part II Subjectivity; Introduction; 4 Embodiment: space and situated knowledge; Embodying the woman artist; Embodied vision: situation(ism), the library and the studio; Skin, borderlands and mestiza knowledge; 5 Performativity: desire and the inscribed body; From the performed to the materialised; Inside/outside; Erotic surfaces; 6 Becoming: individuals, collectives and wondrous machines; Flower painters and feminist figurations; Figuring the body in the virtual machine; Transindividuality and the loop of becoming Part III AestheticsIntroduction; 7 Pleasure and knowledge: 'Orientalism' and filmic vision; Aesthetics: pleasure and the voice; Aesthetics: pleasure and the embodied eye; Aesthetics: pleasure and 'inter' space of corporeal theory; 8 The word and the flesh: text/image re-made; Reading matter; The book in the expanded field; 9 The place of time: Australian feminist art and theory; A glance at (ec)centric histories; Hesitation, elaboration and the emergent subject; Afterword - on Wonder; Notes; Bibliography; Index |
| Record Nr. | UNINA-9910462775103321 |
|
Meskimmon Marsha
|
||
| London ; ; New York : , : Routledge, , 2003 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Women making art : history, subjectivity, aesthetics / / Marsha Meskimmon
| Women making art : history, subjectivity, aesthetics / / Marsha Meskimmon |
| Autore | Meskimmon Marsha |
| Pubbl/distr/stampa | London ; ; New York : , : Routledge, , 2003 |
| Descrizione fisica | 1 online resource (241 p.) |
| Disciplina | 704.042 |
| Soggetto topico |
Women artists
Feminism and art |
| ISBN |
1-135-13088-4
0-203-38946-8 1-283-84649-7 1-135-13081-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Women Making Art History, Subjectivity, Aesthetics; Copyright; Contents; List of illustrations; Acknowledgements; Introduction: women making art; Exhilaration and danger; The work of art; New epistemes; Part I History; Introduction; 1 Exiled histories: Holocaust and Heimat; Home, covenant and the profundity of the everyday; High culture, assimilation and modernity; 2 Corporeal cartography: women artists of the anglophone African disapora; Dancers, mothers and modernity; Dancing: place and ethnography; 3 Re-inscribing histories: Viet Nam and representation
Mass media, documentary and reportageNation, difference and bodies politic; Part II Subjectivity; Introduction; 4 Embodiment: space and situated knowledge; Embodying the woman artist; Embodied vision: situation(ism), the library and the studio; Skin, borderlands and mestiza knowledge; 5 Performativity: desire and the inscribed body; From the performed to the materialised; Inside/outside; Erotic surfaces; 6 Becoming: individuals, collectives and wondrous machines; Flower painters and feminist figurations; Figuring the body in the virtual machine; Transindividuality and the loop of becoming Part III AestheticsIntroduction; 7 Pleasure and knowledge: 'Orientalism' and filmic vision; Aesthetics: pleasure and the voice; Aesthetics: pleasure and the embodied eye; Aesthetics: pleasure and 'inter' space of corporeal theory; 8 The word and the flesh: text/image re-made; Reading matter; The book in the expanded field; 9 The place of time: Australian feminist art and theory; A glance at (ec)centric histories; Hesitation, elaboration and the emergent subject; Afterword - on Wonder; Notes; Bibliography; Index |
| Record Nr. | UNINA-9910786305503321 |
|
Meskimmon Marsha
|
||
| London ; ; New York : , : Routledge, , 2003 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Women making art : history, subjectivity, aesthetics / / Marsha Meskimmon
| Women making art : history, subjectivity, aesthetics / / Marsha Meskimmon |
| Autore | Meskimmon Marsha |
| Pubbl/distr/stampa | London ; ; New York : , : Routledge, , 2003 |
| Descrizione fisica | 1 online resource (241 p.) |
| Disciplina | 704.042 |
| Soggetto topico |
Women artists
Feminism and art |
| ISBN |
1-135-13088-4
0-203-38946-8 1-283-84649-7 1-135-13081-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Women Making Art History, Subjectivity, Aesthetics; Copyright; Contents; List of illustrations; Acknowledgements; Introduction: women making art; Exhilaration and danger; The work of art; New epistemes; Part I History; Introduction; 1 Exiled histories: Holocaust and Heimat; Home, covenant and the profundity of the everyday; High culture, assimilation and modernity; 2 Corporeal cartography: women artists of the anglophone African disapora; Dancers, mothers and modernity; Dancing: place and ethnography; 3 Re-inscribing histories: Viet Nam and representation
Mass media, documentary and reportageNation, difference and bodies politic; Part II Subjectivity; Introduction; 4 Embodiment: space and situated knowledge; Embodying the woman artist; Embodied vision: situation(ism), the library and the studio; Skin, borderlands and mestiza knowledge; 5 Performativity: desire and the inscribed body; From the performed to the materialised; Inside/outside; Erotic surfaces; 6 Becoming: individuals, collectives and wondrous machines; Flower painters and feminist figurations; Figuring the body in the virtual machine; Transindividuality and the loop of becoming Part III AestheticsIntroduction; 7 Pleasure and knowledge: 'Orientalism' and filmic vision; Aesthetics: pleasure and the voice; Aesthetics: pleasure and the embodied eye; Aesthetics: pleasure and 'inter' space of corporeal theory; 8 The word and the flesh: text/image re-made; Reading matter; The book in the expanded field; 9 The place of time: Australian feminist art and theory; A glance at (ec)centric histories; Hesitation, elaboration and the emergent subject; Afterword - on Wonder; Notes; Bibliography; Index |
| Record Nr. | UNINA-9910809323503321 |
|
Meskimmon Marsha
|
||
| London ; ; New York : , : Routledge, , 2003 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||